today i started to attempt to explain the relationship between the music and its meaning, i'm probably going to update this lots of times
Concept
and outline
A six track EP that progresses from a simple acoustic set up to a full electric band with glitch rhythms. Each song is structured individually to include some progression. The Ep itself will progress from track to track in the same manner as a concept album through the instrumentation and themes (within the lyrics and the mood).
A six track EP that progresses from a simple acoustic set up to a full electric band with glitch rhythms. Each song is structured individually to include some progression. The Ep itself will progress from track to track in the same manner as a concept album through the instrumentation and themes (within the lyrics and the mood).
As the narrative
theme becomes more abstract and all encompassing the music becomes less organic
as it is overcome by technology.
Throughout the album there are several recurring themes in the lyrics, the quotations in italics show one of those themes - water. The tide, the sea and the ocean, rain, flow and fog. Throughout the EP this theme represents several things but the main one is this intrinsic relationship between constancy and change, the great settle of masses of water filled with rippling detail and movement.
Throughout the album there are several recurring themes in the lyrics, the quotations in italics show one of those themes - water. The tide, the sea and the ocean, rain, flow and fog. Throughout the EP this theme represents several things but the main one is this intrinsic relationship between constancy and change, the great settle of masses of water filled with rippling detail and movement.
Track
Listing
Track 1 – Bacton
Shore
bacton shore is no more and that i can't ignore
bacton shore is no more and that i can't ignore
Bacton Shore is a
song that introduces a thought process that rids of restriction, attachment and
language. The opening song
describes the EP itself through the story of a town of people that disappear,
like the music eventually does in the final track. Through a slimmer metaphor of decree, which isn’t realised
without an overview of the entire EP, the song will start a thought process
that progresses, and yet remains constant throughout.
Track 2 – Tzoots
i'm standing in the rain, the rain
Tzoots uses the
relationship of two people to address issues of restriction, willingness,
causality and change. Tzoots
highlights how character’s perceptions create opposing views, what effects they
have and how they can change. One character lives an alternative lifestyle that is difficult to attain because of societies rules and regulations. The other character starts to judge this lifestyle negatively before finally appreciating its benefits declaring in the final line 'you're the one that makes me feel alive'. The
music reflects the mood of those characters and describes, along with the
lyrics, the progression and blending of their relationship. The blurring of the characters in a
penultimate, discordant section of the piece releases to a seemingly
enlightening experience that is soiled finally by the songs aggressive rock motive that
represents the constancy within change as the listener is reminded of earlier in the music. The separate vocal sounds on the recording will represent the the characters and their merging together.
"One can't live mindfully without being enmeshed in psychological processes that are around us." - Philip Zimbardo
"One can't live mindfully without being enmeshed in psychological processes that are around us." - Philip Zimbardo
Track 3 – Drift
the fog wont let her see past the tide
the fog wont let her see past the tide
Drift uses
situation to discuss nature, tranquility, mindfulness, attachment and ‘freedom
and restraint’. A narrator uses
the idea that opposites are equal and interrelated using the concept of a
traveler trapped in a stale state of mind. After much chopping and changing, the song ends by quoting the beginning but with a chord progression from later in the song representing the idea that the cycle has a linear property more like a spiral (change within constancy and vice versa).
"Fear cannot be without hope nor hope without fear."- Baruch Spinoza
"Fear cannot be without hope nor hope without fear."- Baruch Spinoza
Track 4 – Wash
let it rain, so ink is dripping off my page
let it rain, so ink is dripping off my page
Wash then accepts
the propositions of the previous songs and moves on to concentrate on mindfulness,
perception of time and language, openness and tranquility. Wash repeats a chorus that suggests all has already happened but has an always varying musical foundation that indicates, again, the change within constancy. This character has opened up to the
power of the mind and allows the idea of the equality of opposites and the
limitations involved in language to be relaxing. There is a repeating chorus that has a different backdrop but the same melody each time. Like the verse in Drift and the main riff in Tzoots this represents linear circularity.
"I don't believe that our will is "free" but I do believe it is possible to give up the illusion that it is. We can still live a moral and fulfilling life without believing in free will." - Susan Blackmore
"I don't believe that our will is "free" but I do believe it is possible to give up the illusion that it is. We can still live a moral and fulfilling life without believing in free will." - Susan Blackmore
Track 5 – Rail n Stile
it's just flowing down the drain
Rail n Stile uses
abstract phrases, repetition and warps in tempo to hint at thought beyond
language and consider causal relationships, time and togetherness. ‘It is the drain’, a looping lyrical
line represents not only the interconnectivity of all and the change within
constancy but also the release of a draining thought processes through a
dissonant tonal structure that releases to openness (but unlike in Tootz, ends
with some clarity).
"The frame itself thus becomes part of the premise system. Either, the frame is involved in the evaluation of the messages which it contains, or the frame merely assists the mind in understanding the contained messages by reminding the thinker that these messages are mutually relevant and the messages outside the frame can be ignored." - Gregory Bateson
"The frame itself thus becomes part of the premise system. Either, the frame is involved in the evaluation of the messages which it contains, or the frame merely assists the mind in understanding the contained messages by reminding the thinker that these messages are mutually relevant and the messages outside the frame can be ignored." - Gregory Bateson
Track 6 (unwritten)
Sounds and made
up words over an arctic musical landscape ends an EP that concludes mindfulness
beyond the realms of language can unlock a door to a tranquil understanding. The song will dissipate into
nothingness, as track 1 anticipates, through an ever increasing sonic filter.
"Neither from itself nor from another, nor from both, nor from no cause, does anything whatever ever arise at all anywhere." - Nagarjuna
"Neither from itself nor from another, nor from both, nor from no cause, does anything whatever ever arise at all anywhere." - Nagarjuna